"The Flow No. 1" is my interface between realism and kinetic abstraction. The portrait is deliberately not covered by paint, but rather bathed in currents of gloss, viscosity, and light—a visual dialogue between control and letting go. In my painting, I work with microscopically fine transitions so that each curve of color acquires its own rhythm and spatial depth. The result is a painting that appears brilliant in daylight and gains a soft, sculptural presence in the evening light.